Friday, September 11, 2009
neil kept me warm today.

What a somber day at work, for obvious and non-obvious reasons. My coping mechanism may be shot today due too many sudden overwhelming variables at once, but never underestimate the awesome uplifting power of the people you love and the music you love. I’ve been playing “Stupid Girl” and “Drive Back” a lot today off of Neil Young & Crazy Horse’s Zuma album and it’s temporarily breathing some much needed life back into me before the start of a busy weekend of social obligations. It’s been a while since I’ve listened to him, but today I remembered how much I appreciate the sharp contrast between Neil Young’s solo releases and his stuff with Crazy Horse. On the solo albums, a majority of the songs are understated and lo-key and his voice is vulnerable sounding — so much at times that it sounds like it is hopelessly mired in turmoil. But by contrast on the Neil Young & Crazy Horse albums, he sounds strong and alive and the music is more plugged-in, blown out loud & proud and has this great dirty guitar sound. He’s got a deep range of emotion and expression and this is only the tip of the iceberg of many reasons why I think he rules.
Hearing “Drive Back” again today made me curious about its meaning. A few years ago, I used to think this song was about two lonely people being conflicted about an unexpected impression of love from a one night stand, which is completely retarded now that I think about it. I guess I’m constantly learning that I think it’s possible that I can find myself thinking that 5 minutes ago me is really stupid. So…maybe not about a one nite stand, but maybe it could be about a one night stand-off? Or an ashamed fugitive who can never go home again. Or in more general terms, a desperate person who tried to escape problems and driven by a strong desire for a clean slate. Or a last ditch 11th hour intervention before an inevitable final goodbye. OR! a mix-n-match combination of any of those scenarios and so on. Neil is a lot of things and that’s why I love him. In addition, “Barstool Blues” was the first, and really to the this day, one of the few complete songs I learned to play on guitar. And just like remembering how to ride a bike, I don’t think I can ever forget how to play it because I could always relate, even in my happiest moments. For sentimentality alone, he will always have a special place in my heart.
Anyway, for the many reasons I listed above, listening to songs like “Drive Back” goes beyond the oversimplistic saying “There’s two sides to every story” and makes me think there could be infinite sides. His lyrics can be not-so direct, but also not-so ambiguous puzzles that I enjoy paying attention to and trying to solve because they are poignant and not esoteric at all. If you can get past the long-winded guitar wankery outro, which could understandably ruin it for some (I have a high-tolerance for wankery), this song is satisfyingly dynamic while Neil’s vocals smolder intensely and are so, so resolute sounding that there is a je ne sais quoi quality about it that is somewhat empowering to me. I am absolutely enamored by its soulfulness. While technically his voice isn’t stellar, I really believe the honest & expressive tones in his vocals are so distinctive that it’s special and unequivocally worthy of admiration. But that’s just one side to Neil I felt compelled to highlight and I can go on and on about him. Case in point, “Ohio” about the Kent State shootings reminds me of Mark Mothersbaugh of Devo who was a freshman on campus when it happened. To me personally, it’s a fascinating cross-cultural pollination of my interests and 3 of my most major obsessions: history, American pop culture/Americana & music. And on another human nature level, but completely different note, this particular quote from “On the Beach” kills me:
I could chew on every line from his catalogue.
“Drive Back” from the album Zuma
Whatever gets you through the night
That’s all right with me
When it’s time to say goodbye
I have to make you seeYou won’t know me
I won’t call you
I won’t be there
To remind you
What you told me
When I showed you
In the morning
Let me know you’ll
Drive back to your old townI wanna wake up with no one around
If somebody is haunting your mind
Look in my eyes
Let me hide you
From yourself and all your old friends
Every good thing comes to an end.





























